Introduction
REAKTR MAP MAKER is the fastest way to build sample maps from your own sounds for Native Instruments Reaktor.
Drop your WAV, AIFF, MP3, or FLAC files straight onto the site, arrange your zones, trim and normalize your waves, set fades, get lo-fi with the custom-built Magic 45 feature, and batch-map every root note to C4 in a single click. Everything you need to craft a perfectly organised sample map — in one focused, purpose-built tool. There's also a hidden feature in there worth hunting for.
When you're ready, export a TAR with your .map file and audio bundled together, load it straight into Reaktor's Sample Map Editor, and you're playing in under a minute. Whether you're building a drum kit from scratch, swapping in fresh one-shots, or rebuilding an entire ensemble's sample library — REAKTR MAP MAKER keeps you moving fast and focused on the sounds.
reaktrmapmaker.neocities.org
Free. No account. Works in any modern browser on Mac, Windows, or Linux.
Signal path
Drop audio files (WAV / AIFF / MP3 / FLAC)
↓
Edit zones, waveforms, root notes
↓
Export .TAR
↓
Load into Reaktor → Play
Workflow — step by step
1
Drag in your filesDrop WAV, AIFF, MP3, or FLAC straight onto the site. No conversion needed. Files load directly into your map.
2
Edit your zonesRearrange zones, rename samples, and adjust velocity ranges. Trim, fade in/out, and normalize levels per sample — dial everything in before it ever touches Reaktor.
3
Set root notesAdjust root notes per sample, or hit C4 MIDI 60 to batch-set every root to note 60 in one click. Some Reaktor ensembles require this to play in tune.
4
Export .TARDownload your ready-to-use .map file bundled with standard WAV audio — everything Reaktor needs in one package.
5
Open Sample Map Editor in ReaktorPress F6 or go to View → Show Sample Map Editor. Make sure Edit Mode is on (F1).
6
Import your fileClick the Sample Map menu above the zone grid. Choose Import (Replace) for a clean slate, or Import (Merge) to stack new sounds alongside what's already running.
Waveform editor tools
About C4 / MIDI 60 — Some Reaktor ensembles expect all sample roots set to MIDI note 60 (C4) to play in tune. If your instrument sounds pitched incorrectly, click C4 MIDI 60 to snap every root to 60 instantly.
Gain
0
dB Pitch
○ ALL
0
SEMI
NORM
NORM ALL -3dB
SILENCE
FADE IN
FADE OUT
SNIP > NEW
Top toolbar
EXPORT .TAR
Export .TAR
Packages your entire sample map — the .map file plus all audio as standard WAVs — into a single .tar archive. This is the file you drag into Reaktor. Everything Reaktor needs is self-contained inside it.
C4 MIDI 60
C4 / MIDI 60 — Batch root note setter
Sets every sample's root note to C4 (MIDI note 60) in one click. Many Reaktor ensembles are hardwired to expect root notes at C4 — if your samples play back at the wrong pitch inside Reaktor, this is usually why. Hit this and re-export.
UNDO
REDO
RESET
Undo / Redo / Reset
Step backward or forward through your edit history. Reset clears the entire session — all samples and zones removed. Use with care; there's no undo after a reset.
MAGIC 45
Magic 45 — SP-1200 lo-fi processor
Applies 12-bit, 26 kHz resampling to your audio — recreating the sonic signature of the E-mu SP-1200 drum machine. The result is grit, punch, and aliasing artifacts. Named after the 45 RPM trick (see below). Use on drums, bass lines, or anything you want to feel aged.
The 45 RPM trick: Classic hip-hop producers played vinyl at 45 RPM instead of 33, sampled the high-pitched version, then tuned it back down inside the sampler. Because the hardware recorded a shorter, faster signal, pitching down re-stretched it and dropped the playback rate — introducing low-fi texture, tighter transients, and grit that digital processing can't fully replicate. Magic 45 emulates this digitally.
MIDI OFF
MIDI Off — Live MIDI monitoring toggle
Toggles whether the site listens to incoming MIDI. When on, you can trigger and audition samples directly from a keyboard or controller. Toggle it off if you're not using MIDI to avoid unintended playback.
Waveform toolbar
GAIN
___
0 dB
Gain — per-sample volume trim
Adjusts the playback level of the selected sample before export. Use it to level-match samples across your kit without touching the original files. Positive values boost, negative values cut.
PITCH
___
0 SEMI
Pitch — semitone shift (with ALL toggle)
Shifts the sample's pitch up or down in semitones. The
ALL toggle applies the same pitch offset to every sample in your map at once. This is not time-stretching — pitch and speed change together, exactly like changing the playback speed on a sampler.
The resampling trick — why +24 semitones? Pitching all samples up by +24 semitones (two octaves) makes them play back at 4× speed when imported into Reaktor, then tuning the sampler back down two octaves restores the original pitch — but now the audio is running through the SP-1200-era memory path at a fraction of the sample rate. The result: shorter memory footprint, saturated transients, and lo-fi character identical to the classic "speed up, sample, pitch down" workflow used on the MPC and SP-1200. The grit is a side-effect of the math, not an added effect.
NORM
Normalize — peak to 0 dBFS
Raises (or lowers) the selected sample so its loudest peak hits exactly 0 dBFS. Essential for making sure every sample in a kit hits at consistent levels before fine-tuning with Gain.
NORM ALL -3dB
Norm All -3 dB — batch normalize with headroom
Normalizes every sample in the map to –3 dBFS in one click. The –3 dB headroom prevents inter-sample clipping when Reaktor plays multiple zones simultaneously. Use this before exporting a full kit.
SILENCE
Silence — zero out a region
Replaces the selected region of the waveform with silence. Useful for removing a click at the top of a sample, trimming a noisy tail, or cutting breath noise between notes.
FADE IN
FADE OUT
Fade In / Fade Out — linear amplitude ramps
Applies a straight-line fade from silence at the start (Fade In) or to silence at the end (Fade Out) of the selected region. Use Fade In to remove clicks on attack; use Fade Out to clean up abrupt endings and avoid digital pops.
SNIP > NEW
Snip > New — crop to selection
Crops the audio to your current start/end selection and saves it as a new zone entry. The original is preserved. Use this to extract a specific hit or phrase from a longer file, or to split one sample into multiple zones without leaving the browser.
Transport + zone controls
|< START
▶ PLAY
■ STOP
↺ LOOP
Transport — audition your samples
Play, stop, and loop the selected sample directly in the browser before export. Use these to check edits — fades, snips, gain — without leaving the page. Loop is especially useful for checking that a trimmed sustain loops cleanly.
1-SHOT
ZM+
ZM–
1-Shot / Zoom
1-Shot plays the sample once from start to end regardless of note length — the classic drum machine mode. ZM+ / ZM– zoom the waveform view in and out so you can make precise edits on attack transients or fine-trim a sample tail.